Showing posts with label bauhaus. Show all posts
Showing posts with label bauhaus. Show all posts

[bvhrs] Download Moula fonts from 38-lineart

Moula
Moula MoulaMoula



Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics.

It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project.

Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.





Boboli fonts from Stefano Tonti - (tiiqv)

Boboli
Boboli BoboliBoboli



The Boboli garden in Florence (16th century) is one of the first examples of Italian renaissance garden, where nature was shaped into geometric beauty; the Boboli font was designed in the same spirit, filtered by a Modernist view.

 

It comes in two sets, Fall/Winter and Spring/Summer: by mixing them you can compose the typographic season of your choice.

 

From the geometric, minimal Fall/Winter set stem the leaves of the baroque-esque Spring/Summer set, with many stylistic alternatives that allow perfect matching.

 

The two opposite styles merge perfectly, because the leaves are not mere decorations but organic part of the structure, achieved by sampling the curves of the basic glyphs.

 

With Boboli design meets nature, Bauhaus goes greenhouse.





[ubhpmilesi] Download Causten Round Fonts Family From Trustha

Download Causten Round Fonts Family From Trustha
Download Causten Round Fonts Family From Trustha Download Causten Round Fonts Family From TrusthaDownload Causten Round Fonts Family From Trustha



Causten Round is a geometric sans serif font family with round corners and maintains rationality in designing each form. With use the sharpness of the eyes, and remain logical, so that balance is maintained in each form. So, it will get a clean, neat, and perfect shape.


Causten Round comes with 9 weights and a matching oblique, making it 18 styles. It makes it perfect for all creative projects. Also, some alternative glyphs will be an attractive choice.



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[obegtjbzyu] Download Approach Mono Fonts Family From Emtype Foundry

Download Approach Mono Fonts Family From Emtype Foundry



Approach Mono is the fixed width version of Approach. A utilitarian low contrast font, a bit mechanical but plenty of character. This version shares its main features with the original one, but it has a more prominent and visible punctuation. The more obvious use of a mono would be in tables, programming code or “in progress texts”, but not just that. Approach Mono can be used in the modern communication, bringing an aseptic voice to brochures, advertising, identities and any other piece of communication.



Download Approach Mono Fonts Family From Emtype Foundry


Download Kanyon Fonts Family From Hurufatfont

Download Kanyon Fonts Family From Hurufatfont


Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels.

With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts.

Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.



Download Kanyon Fonts Family From Hurufatfont


Download FS Dillon Fonts Family From Fontsmith

Download FS Dillon Fonts Family From Fontsmith
Download FS Dillon Fonts Family From Fontsmith Download FS Dillon Fonts Family From FontsmithDownload FS Dillon Fonts Family From Fontsmith



FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.



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Download JT Energy Fonts Family From OGJ Type Design

Download JT Energy Fonts Family From OGJ Type Design
Download JT Energy Fonts Family From OGJ Type Design Download JT Energy Fonts Family From OGJ Type DesignDownload JT Energy Fonts Family From OGJ Type Design



JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.


The family is equipped with

7 cuts — light to heavy —

2 extra versions “Placard” to set very large

stylistic alternates with letterforms that are round-edgy

alternates with flat diacritics

standard and oldstyle figures

and a variable font


What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.

Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.


— —

Graphic design by Salzmann Gertsch, Switzerland.

“We think the Energy has a great style and it’s also fun to design with it!”



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Download Mid Century Sans Fonts Family From Dharma Type

Download Mid Century Sans Fonts Family From Dharma Type
Download Mid Century Sans Fonts Family From Dharma Type Download Mid Century Sans Fonts Family From Dharma TypeDownload Mid Century Sans Fonts Family From Dharma Type



Mid Century Sans (MCS) is composed of high-geometric shapes. László Moholy-Nagy —professor in the Bauhaus— said “Typography is a tool of communication. It has to be communication in its most intense form. The emphasis must be on absolute clarity since this distinguishes the character of our own writing from that of ancient pictographic forms.” As same as you can see in modern typefaces in the early twentieth century, MCS has very efficient, clear and minima letterforms. There are not any decorative parts in the skeleton of letters. At the same time, Mid Century Sans has one more feature. In the middle of the twentieth century, one big movement which was called Mid-century modern had occurred. The Mid-century modern movement in the U.S. was an American reflection of the International and Bauhaus movements and it was slightly more organic in form and less formal than the International Bauhaus-style. In other words, it was friendly and stylish. We added Mid-century-spices to the Bauhaus-modernism. The basic letter form is geometric yet it has very friendly strokes and human touch. Mid Century Sans consists of 8 weights and their matching Italics for a wide range of usages. Farther, Mid Century Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also MCS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternates for advanced typography.


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Download BF Corpa Gothic Pro Fonts Family From Brass Fonts

Download BF Corpa Gothic Pro Fonts Family From Brass Fonts
Download BF Corpa Gothic Pro Fonts Family From Brass Fonts Download BF Corpa Gothic Pro Fonts Family From Brass FontsDownload BF Corpa Gothic Pro Fonts Family From Brass Fonts



BF Corpa Gothic™ Pro is a kind of “Neue”-Edition of the beloved typeface designed by Guido Schneider. Inspired by hand-drawn geometric fonts from 1920s posters, this sans serif typeface is slightly condensed, and it appears compact and captivates with its expressive shapes and unique details, despite its pronounced Grotesque character. With its rather constructed, technical – but also vivid – appearance, the BF Corpa Gothic™ Pro is not only suitable for headlines and display applications, but is also pleasant to read in short and middle length text. The type family is engineered for exciting, professional but unusual designs. It is equipped with OpenType Features like 4 figure sets (LF, TF, OSF, SC), nice ligatures, many currency symbols, fractions, alternates, special characters, arrows and symbols – and small caps. 9 style sets give you the option to individualize and adjust the typeface to the requirement of your design, without changing the general visual feeling. In this way you can also switch the simply slanted styled Italic into a “real Italic”. Each of the 16 fonts (Upright and Italic) contains more than 940 glyphs and supports up to 220 Latin-based languages.


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Download K-haus 205 Fonts Family From Talbot Type

Download K-haus 205 Fonts Family From Talbot Type
Download K-haus 205 Fonts Family From Talbot Type Download K-haus 205 Fonts Family From Talbot TypeDownload K-haus 205 Fonts Family From Talbot Type



K-haus 205 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 105, featuring a few different characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.


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Download K-haus 105 Fonts Family From Talbot Type

Download K-haus 105 Fonts Family From Talbot Type
Download K-haus 105 Fonts Family From Talbot Type Download K-haus 105 Fonts Family From Talbot TypeDownload K-haus 105 Fonts Family From Talbot Type



K-haus 105 is inspired by the work of graphic designer and typographer, Herbert Bayer, during his time at the Bauhaus around 100 years ago — work that kick-started graphic design as we know it, to this day. It owes something to the simple geometry of Bayer’s hand-drawn, ‘universal typeface’, updated and expanded to deliver a clean, balanced, geometric sans for today. Also available as K-haus 205, featuring a few, more 'daring' characters here and there, chiefly in the lower case set. Both variations include an extended character set, featuring accented characters for Central European languages.


Download K-haus 105 Fonts Family From Talbot TypeDownload NowView Gallery


Download Pivnaya-Latin Font Family From Roman Type

Download Pivnaya-Latin Font Family From Roman Type
Download Pivnaya-Latin Font Family From Roman Type Download Pivnaya-Latin Font Family From Roman TypeDownload Pivnaya-Latin Font Family From Roman Type



‘Пивная’ (Pivnaya) means ‘bar’ or ‘brewhouse’ in Russian. Pivnaya Latin is a display font published by Roman Type. Initially designed for a poster, the family quickly turned multi-script. In 2019, the global design community is busy celebrating the centennial of Bauhaus, silently triggering the question as to if or how the phenomenon matters in the lives we lead today, or whether it could rather be reduced to mere historic purposes. At that point, I found myself falling into the Bauhaus trap myself, preparing a typeface design workshop for a group of Lithuanian and Russian students. But by a typing error, I accidently made Google translate ‘Brauhaus’ (brewhouse) instead of ‘Bauhaus’. That is why I called this family ‘Pivnaya’ in the end. Pivnaya Latin works for: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Vietnamese, Zulu. Though being a decorative font, the International Phonetic Alphabet (IPA) increases usability for all kinds of purposes.


Download Pivnaya-Latin Font Family From Roman TypeDownload NowView Gallery


Download Pivnaya-Cyrillic Greek Font Family From Roman Type

Download Pivnaya-Cyrillic Greek Font Family From Roman Type
Download Pivnaya-Cyrillic Greek Font Family From Roman Type Download Pivnaya-Cyrillic Greek Font Family From Roman TypeDownload Pivnaya-Cyrillic Greek Font Family From Roman Type



This is the Latin+Cyrillic+Greek version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Albanian, Azerbaijani, Belarusian, Bosnian, Bulgarian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Greek, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Macedonian, Maltese, Norwegian, Ossetic, Polish, Portugese, Romanian, Russian, Serbian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Ukrainian, Uzbek, Vietnamese, Zulu. The International Phonetic Alphabet (IPA) makes it fit for a wider range of purposes.


Download Pivnaya-Cyrillic Greek Font Family From Roman TypeDownload NowView Gallery


Download Pivnaya-Hebrew Font Family From Roman Type

Download Pivnaya-Hebrew Font Family From Roman Type
Download Pivnaya-Hebrew Font Family From Roman Type Download Pivnaya-Hebrew Font Family From Roman TypeDownload Pivnaya-Hebrew Font Family From Roman Type



This is the Latin+Hebrew version of poster/display font Pivnaya designed and published by Roman Type. It works for Afrikaans, Arabic, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Farsi, Finnish, French, German, Hebrew, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Urdu, Vietnamese, Zulu. Equipped with wider coverage of the International Phonetic Alphabet (IPA), Pivnaya-Hebrew is fit for all kinds of purposes.


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