Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics.
It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project.
Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.
The Boboli garden in Florence (16th century) is one of the first examples of Italian renaissance garden, where nature was shaped into geometric beauty; the Boboli font was designed in the same spirit, filtered by a Modernist view.
It comes in two sets, Fall/Winter and Spring/Summer: by mixing them you can compose the typographic season of your choice.
From the geometric, minimal Fall/Winter set stem the leaves of the baroque-esque Spring/Summer set, with many stylistic alternatives that allow perfect matching.
The two opposite styles merge perfectly, because the leaves are not mere decorations but organic part of the structure, achieved by sampling the curves of the basic glyphs.
With Boboli design meets nature, Bauhaus goes greenhouse.
Causten Round is a geometric sans serif font family with round corners and maintains rationality in designing each form. With use the sharpness of the eyes, and remain logical, so that balance is maintained in each form. So, it will get a clean, neat, and perfect shape.
Causten Round comes with 9 weights and a matching oblique, making it 18 styles. It makes it perfect for all creative projects. Also, some alternative glyphs will be an attractive choice.
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Approach Mono is the fixed width version of Approach. A utilitarian low contrast font, a bit mechanical but plenty of character. This version shares its main features with the original one, but it has a more prominent and visible punctuation. The more obvious use of a mono would be in tables, programming code or “in progress texts”, but not just that. Approach Mono can be used in the modern communication, bringing an aseptic voice to brochures, advertising, identities and any other piece of communication.
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Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels.
With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts.
Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.
FS Dillon is a rational typeface. Its inspiration came from our exploration of the work and philosophy of the Bauhaus movement of the 1920s and 30s, their pursuit of simple, practical forms. To this we’ve added a thoroughly modern flavour, stark yet warm, imbued with the quirky individuality that has become a Fontsmith signature. The letterforms are simple and direct. Compact, with a large x height, they are built for maximum clarity, economy of space, and impact. But that’s not all. The Bauhaus sought beauty through function – we think we’ve achieved that too.
JT Energy is a new in 2020 interpreted geometric type with optically consistent line thickness and an interesting look and feel. This type is inspired by designs from Paul Renner and Arno Drescher and was long developed until it was something own.
The family is equipped with
7 cuts — light to heavy —
2 extra versions “Placard” to set very large
stylistic alternates with letterforms that are round-edgy
alternates with flat diacritics
standard and oldstyle figures
and a variable font
What makes this type unique is the slanted, edgy-sharp M, a new S and a wide f.
Amazingly designed for a solid appearance in a branding project, magazine, packaging, website, letterhead, business card and the daily commercial jobs.
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Graphic design by Salzmann Gertsch, Switzerland.
“We think the Energy has a great style and it’s also fun to design with it!”
